I learn from Facebook comments that the “commonly accepted story” is that (SPOILERS AHEAD for A New Hope) Sir Alec Guinness persuaded George Lucas to kill off the character of Obi-Wan Kenobi so that he could avoid appearing in any Star Wars sequels. (Which, obviously, worked out real well for him.)
This is news to me. If it’s commonly accepted, it must have only gained such acceptance relatively recently. (Granted, in my case, relative recency would be any time within the last fifteen or twenty years.) When I was coming up through fandom in the 1990s, very much the commonly accepted story was that Lucas decided to kill off Ben Kenobi upon realising that there was nothing for him to do in the second half of the film other than hang around in the background being ineffective (something Princess Leia already had nailed down quite nicely), and that Guinness was in fact furious at the change. Here he was, already leery at appearing in this latter-day Flash Gordon-esque, cheap sci fi potboiler, and only having agreed to do so because he had been so impressed by the enthusiastic young writer-director’s insistence that a dignified portrayal of the Kenobi character would imbue the film with a psychological believability—but now he was being told he would spend the second half of the picture as a disembodied voice.
Now, I’m not here arguing that my story is right and the new story is wrong, though personally, until I see a citation for the new version, I’ll be sticking with mine, because I first came across it in Skywalking, the 1983 George Lucas biography. (In fact, the original account appears to be included in Google Books’s preview of Skywalking.)
No, rather, I’m just fascinated by how the story flipped completely around—from Lucas killing Obi-Wan off over Guinness’s objection to Guinness strong-arming Lucas doing it—yet both, entirely contradictory stories are to illustrate the same conclusion: that staid old Sir Alec Guinness was dismissive of science fiction and came to regret slumming it in Star Wars.
There’s something important (or at least mildly interesting) there, I think, about oral transmission and the myths we build about our past.